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Volume 13
Journal of Orthopaedics Trauma Surgery and Related Research
ISSN: 1897-2276
Orthopedics 2018
March 08-09, 2018
March 08-09, 2018 London, UK
10
th
International Conference on
Orthopedics, Trauma and Rheumatology
J Orthop Trauma Surg Rel Res 2018, Volume 13
Trauma no drama: Care and treatment of dancers
Margo K Apostolos
1,2
1
University of Southern California, USA
2
Cedars-Sinai/USC Glorya Kaufman Dance Medicine Center, USA
D
ance medicine is similar to sports medicine, treats the specialized needs of dancers. The art of dance parallels sport with the
human body as the vehicle for performance. While the aesthetic of dance differs from sport, dancers train differently than
athletes and often periodization is not implemented in dance training. As the performances near, rehearsals often increase at full
speed. Overtraining becomes a common cause of dance injuries, but the choreography makes dance ever so risky. The choreography
of today places new demands on the dancers. The inclusion of aerial maneuvers, acrobatic work, and elaborate set designs raise both
the risk for injury and the nature of those injuries. Aerial work and acrobatic maneuvers are included in both concert and commercial
performance. The dance environments have become spectacular from Las Vegas stages, film special effects and the raked stages of
opera houses. Similar to athletes, dancers are not at risk for traumatic injuries. At the Dance Medicine Center, we have seen traumatic
injuries resulting from both choreography and the dance environment. The needs of the dancer are different than the athlete. It is
critical for the medical community to understand dancers especially in care, diagnosis and treatment. This presentation will feature
a case study of a traumatic dance injury documented from onset to recovery. In addition, video links of current choreography will
provide orthopedic surgeons an insight into the world of dance today.
margo@usc.edu apostolosm@cshs.org